GOING BACKWARDS – PART IV

Making a documentary requires creativity, even if it means leaving the door open, two crew members on the hall, one of them lying on the ground.

So now I’m already one day behind my original plan of following the events of July 2018. But who cares? Sunday, the 22nd had a lot more action in front of the cameras. Another groundhog day starting with more scenes at home at 10am. Then we were off for the scenes in the bar, at the karaoke, the surprise visit to the fans camped outside the venue and we managed to do it all before it was dark. Oh, and the very quick scene of me riding the subway that we shot in the middle of it all.

Like I said when I started these memoirs, film schedules never end up being followed, but somehow it all manages to get solved by magic. For this day, we had some strict curfew. Max deserves double bonus points here for: a) finding a regular bar that was ok with us filming inside (Berliners are super restrictive of being filmed or photographed without consent, specially if they’re inside a bar or a club) and; b) also getting the famous Monster Ronson’s Ichiban Karaoke to let us film there, as long as we were done before their opening hours. If you’re not familiar with the name, but watched Netflix’s “Sense8” (by the Wachowskis), it’s the same place Wolfgang (Max Riemelt) sings 4-Non Blonde’s “What’s Up” in telepathic connection with all the other characters from the show in one of the best episode finales of the show. It’s a Berlin classic.

On both bars I was joined by nearly the same group of friends. I thought I wasn’t even going to get a minimum of friends to make the scenes worth filming, but, magically, I did. Because we were running even ahead of schedule, I missed on having even more friends along. Of course it’s worth noting Jenna was there all the time. She was also with me the previous day either making sure my dog wouldn’t make any noise while the crew was recording ambient silence of my apartment or giving me moral support while I was running without listening to instructions.

We were also given free access to the drinks on both places because they wanted us as uninhibited as possible. To be honest, I don’t remember the exact moment they filmed me singing. We were assigned a booth. At one moment, they said we could start warming up and I picked “The Shoop Shoop Song (It’s In His Kiss)” in the style of Cher because I had seen an episode of RuPaul’s Drag Race that week that was all about Cher’s different eras and I was already drunk enough to think I could do her voice. When we were done filming there, they just told us to pick any song and wrap it and it ended up being Oasis’ “Don’t Look Back in Anger”. Everything else in between was Depeche Mode. Oh, and they had some fun too in between takes.

I had suggested to the crew on Friday about filming the fans that were camped outside the venue since early that week. I had two friends who were my moles in there. Originally we tried to do it the previous day, but since we finished after midnight, it ended up not happening. But on that Sunday we were done way ahead of schedule, so they bought my idea and we made a surprise visit to the fans that were so organized in their camp for the show that would take place the following day. I was quite proud that an idea I pitched during the filming made it to the final cut. This was the first day I got home before dark, if memory serves me right. But then again, I had a few too many vodkas to be 100% sure.

Co-director Pasqual Gutierrez falls victim to some pup-attack.

On Monday, the 23rd, we began like always with a few more scenes at home. Then some outdoor scenes with my dog. None of this made it to the final cut, but that’s life. It wasn’t 100% relevant to the narrative either. This was also the day of the first of the last two shows of the tour. The crew was sensitive enough to ask me what was my curfew to leave for the show, so they could know how late they could still make as many shots as necessary. In the end, we had out hard wrap even a bit earlier than I had told them. We had a little celebration right there at the park where we did the last shots. I’ve never been part of a feature film before, so it was nice to live this film crew experience. But then I rushed home to get ready and to the S-Bahn to the Waldbühne where I was to meet with Jenna and watch the show together. Oh, and also get to sing “Happy Birthday” to Martin Gore!

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